![]() A classical or jazz album may only put Tape on the master bus at 30ips with Tape A or C to keep the tracks as clean as possible while pulling together the mix with some harmonic glue. Tape speed, head bump, distortion, transient response, hiss, crosstalk, bias, and other factors can all contribute to the sound.Īn R&B or rock album may use 15ips across all tracks to saturate the mix with harmonics and low end by using tape B for vintage flavor. You hear people talk about “the sound of tape”. ![]() This means that if you’re not a Studio One user but at some future point decide to switch to that DAW, you will already have Tape Multitrack installed, licensed and ready to go. The Tape and Tape Multitrack license is one and the same. Tape Multitrack includes all the goodies of Tape, but in addition, you get selectable crosstalk between each individual track - and you can easily control the Tape Multitrack settings from a single interface. Adding Tape to your MixFX slot gives you Tape Multitrack. ![]() If you run Presonus Studio One, you can not only use Tape as a standard plug-in. So experiment, listen closely, and choose wisely. ![]() Each has its own story to tell, and its own special something to impart to your music. ![]()
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